The smallest compositional unit of the graphic material presented here consists in a square with rounded edges. This compositional element is a transfiguration of an element present in the quadratic matrix that makes up the work Tela Transeunte. At the same time, the square used here serves as a way of representing the smallest unit of information in the digital medium — a bit. In this case, when we use one of these squares next to another, we are indicating a data packet, or the transition of simpler information, such as a binary code, to a complex and organized set of information. By the size of the squares, we seek to describe a multiplication of the amount of information by the area of ​​each square. In this context, in the union of different information packets, a set of squares aligned with a square of a size that contains the dimensions of its previous squares, we are indicating an infinite representation of the passage of information, of the packaging and transmission of data. It would be a code that carries another code, or the meaning of something leading to another meaning. The set of signs comprising a language, sets of objects, systems, a complex object. In dialogue with the formal representation we use, as well as its representative purpose, it is pertinent to mention that here I sought an approximation of visual aesthetics of original movements of “cyber-culture”, such as saturated tones and typography with a geometric format, sans serif and, even though it is vectorial, it simulates, smoothly in its curves, an idea of ​​a pixelated image.