{"id":236,"date":"2025-04-09T02:11:39","date_gmt":"2025-04-09T02:11:39","guid":{"rendered":"https:\/\/mateuspelanda.umbalab.art\/?page_id=236"},"modified":"2025-04-13T02:01:37","modified_gmt":"2025-04-13T02:01:37","slug":"telatranseunte","status":"publish","type":"page","link":"https:\/\/mateuspelanda.umbalab.art\/pt\/telatranseunte\/","title":{"rendered":"Tela Transeunte"},"content":{"rendered":"
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1 SOBRE<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1.1 CONTEXTO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A Identidade Visual aqui apresentada foi desenvolvida para um projeto desenvolvido no campo de Arte, Ci\u00eancia e Tecnologia (ACT), intitulado de Tela Transeunte. A c\u00e9lula germe que deu origem a tal projeto \u00e9 um trabalho art\u00edstico com mesmo nome, Tela Transeunte. Sendo orientada por Luiz A. Z. Salgado e Denise A. Bandeira, a artista visual Bianca C. Orsso desenvolveu a primeira vers\u00e3o deste trabalho art\u00edstico entre 2019\/2020 \u2014 em meio ao Trabalho de Conclus\u00e3o de Curso para obten\u00e7\u00e3o de grau em Licenciatura em Artes Visuais na Universidade Estadual do Paran\u00e1 (UNESPAR), Faculdade de Artes do Paran\u00e1 (FAP), Campus II, Curitiba (ORSSO, 2020). Ao final de 2021, o trabalho foi inscrito por Denise Bandeira como projeto no edital 088\/2021 da Funda\u00e7\u00e3o Cultural de Curitiba. Este edital contempla a ocupa\u00e7\u00e3o do espa\u00e7o de sala de arte digital do Museu Municipal de Arte (MuMA), Port\u00e3o Cultural, da cidade de Curitiba. Al\u00e9m da ocupa\u00e7\u00e3o da sala de arte digital, no projeto, Denise prop\u00f4s a realiza\u00e7\u00e3o de um evento que segue com mesmo t\u00edtulo do trabalho, Tela Transeunte \u2014 conforme explicitado no come\u00e7o deste texto.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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1.2 CONCEITO<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A menor unidade compositiva do material gr\u00e1fico aqui apresentado consiste em um quadrado com bordas arredondadas. Este elemento compositivo \u00e9 uma transfigura\u00e7\u00e3o de um elemento presente na matriz quadr\u00e1tica que comp\u00f5e o trabalho Tela Transeunte. Ao mesmo tempo, o quadrado aqui utilizado serve como modo de representar a menor unidade de informa\u00e7\u00e3o no meio digital \u2014 um bit. Neste caso, ao utilizarmos um destes quadrados pr\u00f3ximo a outro, estamos indicando um pacote de dados, ou a transi\u00e7\u00e3o de informa\u00e7\u00f5es mais simples, tal qual um c\u00f3digo bin\u00e1rio, para um conjunto complexo e organizado de informa\u00e7\u00e3o. Pelo tamanho dos quadrados, buscamos descrever uma multiplica\u00e7\u00e3o da quantidade de informa\u00e7\u00e3o pela \u00e1rea de cada quadrado. Neste seguimento, na uni\u00e3o de diferentes pacotes de informa\u00e7\u00e3o, um conjunto de quadrados alinhados a um quadrado de tamanho que comporta as dimens\u00f5es de seus quadrados anteriores, estamos indicando uma representa\u00e7\u00e3o infinita da passagem de informa\u00e7\u00e3o, do empacotamento e transmiss\u00e3o de dados. Seria um c\u00f3digo que carrega outro c\u00f3digo, ou o significado de algo levando a um outro significado. O conjunto de signos comportando uma linguagem, conjuntos de objetos, sistemas, um objeto complexo. Em di\u00e1logo com a representa\u00e7\u00e3o formal que utilizamos, tal qual seu prop\u00f3sito representativo, aqui \u00e9 pertinente mencionar que aqui busquei uma aproxima\u00e7\u00e3o de est\u00e9ticas visuais de movimentos originais da \u201ccyber-cultura\u201d, como tons saturados e tipografia com formato geom\u00e9trico, sem serifa e, mesmo sendo vetorial, simula, suavemente em suas curvas, uma ideia de imagem pixelada.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Informa\u00e7\u00f5es externas sobre o evento<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Mais informa\u00e7\u00f5es sobre o evento podem ser encontradas nos seguintes links:
https:\/\/www.instagram.com\/telatranseunte<\/a>
https:\/\/www.youtube.com\/watch?v=E1jqVnpExvw<\/a><\/span><\/div>
https:\/\/www.curitiba.pr.gov.br\/noticias\/museu-municipal-de-arte-abre-duas-novas-exposicoes\/64625<\/a><\/span><\/div>
\u00a0<\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1 About 1.1 Context The Visual Identity presented here was developed for a project in the field of Art, Science and Technology, entitled Tela Transeunte (Passerby Screen). The seed to this project is an artistic work with the same name, Tela Transeunte. Under the guidance of Luiz A. Z. Salgado and Denise A. Bandeira, the visual artist Bianca C. Orsso created the first version of this artistic work between 2019\/2020 \u2014 in the middle of the undergratuation final fork for a degree in Visual Arts at the State University of Paran\u00e1 (UNESPAR), Faculty of Arts of Paran\u00e1 (FAP), Campus II, Curitiba (ORSSO, 2020). At the end of 2021, the work was registered by Denise Bandeira as a project in the 088\/2021 call for proposals from the Curitiba Cultural Foundation. This call for proposals includes the occupation of the digital art room space of the Municipal Museum of Art (MuMA), of city of Curitiba (PR-Br). In addition to occupying the digital art room, in the project, Denise proposed holding an event that continues with the same title as the work, Tela Transeunte \u2014 as explained at the beginning of this text. 1.2 CONCEPT The smallest compositional unit of the graphic material presented here consists in a square with rounded edges. This compositional element is a transfiguration of an element present in the quadratic matrix that makes up the work Tela Transeunte. At the same time, the square used here serves as a way of representing the smallest unit of information in the digital medium \u2014 a bit. In this case, when we use one of these squares next to another, we are indicating a data packet, or the transition of simpler information, such as a binary code, to a complex and organized set of information. By the size of the squares, we seek to describe a multiplication of the amount of information by the area of \u200b\u200beach square. In this context, in the union of different information packets, a set of squares aligned with a square of a size that contains the dimensions of its previous squares, we are indicating an infinite representation of the passage of information, of the packaging and transmission of data. It would be a code that carries another code, or the meaning of something leading to another meaning. The set of signs comprising a language, sets of objects, systems, a complex object. In dialogue with the formal representation we use, as well as its representative purpose, it is pertinent to mention that here I sought an approximation of visual aesthetics of original movements of \u201ccyber-culture\u201d, such as saturated tones and typography with a geometric format, sans serif and, even though it is vectorial, it simulates, smoothly in its curves, an idea of \u200b\u200ba pixelated image. External info about the event More info about the event can be founded in the in the following links:https:\/\/www.instagram.com\/telatranseuntehttps:\/\/www.youtube.com\/watch?v=E1jqVnpExvwhttps:\/\/www.curitiba.pr.gov.br\/noticias\/museu-municipal-de-arte-abre-duas-novas-exposicoes\/64625\u00a0<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-236","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mateuspelanda.umbalab.art\/pt\/wp-json\/wp\/v2\/pages\/236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mateuspelanda.umbalab.art\/pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mateuspelanda.umbalab.art\/pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mateuspelanda.umbalab.art\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mateuspelanda.umbalab.art\/pt\/wp-json\/wp\/v2\/comments?post=236"}],"version-history":[{"count":5,"href":"https:\/\/mateuspelanda.umbalab.art\/pt\/wp-json\/wp\/v2\/pages\/236\/revisions"}],"predecessor-version":[{"id":570,"href":"https:\/\/mateuspelanda.umbalab.art\/pt\/wp-json\/wp\/v2\/pages\/236\/revisions\/570"}],"wp:attachment":[{"href":"https:\/\/mateuspelanda.umbalab.art\/pt\/wp-json\/wp\/v2\/media?parent=236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}